1989-09-090時間 8分
ユーザースコア
概要
Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical perfection of the Hollywood studio films of the 1950s, quoting its sets and colours (Home Stories, 1990; Pensão Globo, 1997) or even reconstructing them in minute detail (Alpsee, 1994). But, at the same time, these attributes, known in film jargon as the production values, are exposed to decay – a decay which on closer inspection proves to include wilful acts of creation. As his own lab technician, Müller is responsible not only for subsequent wear and tear, but also for the initial developing of his own film material.
Pershing
Spärlich gelungener Wurf mit bösem Löffel
Krapps letzter Film
English for Today
Dallas
Jerry Cotton
Die lange Nacht der Kaiserpinguine
Knöchel
H. Halef
Theater '85
Der Empfindliche
Oberhausen 34. Kurzfilmtage
Weingarten d'Linse
Nürnberg Filmvilla
Stuttgart Filmwinter
Pforzheim Cinema
Weiterstadt open air
Frankfurt mal sehn
Stuttgart Kommunales Kino
Berlin Arsenal
Köln Stadtgarten
Ulm Kinole
Karlsruhe Forum
Bern Reithalle
Villingen Guckloch
Stadt in Flammen
Weltenempfänger
15 Tage Fieber
Der General
Schildmeyer Darlaten
Aus den Algen
Krepl
EIS
In Diep Hust
Weißpfennig
Exquisite Western
50°45' N – 7°9' E
Der Trip
Rudi Dörfert
Feuerland ist abgebrannt
Onkelschrompel
Situs wie Jod iset ab ernit
E.R.
Flamethrowers
Interno Tautium
Luzern Viper
Berlin Eiszeit
Stuttgart Filmwinter
Osnabrück Lagerhalle
Bonn Experi
Düsseldorf Blackbox
Bielefeld Lichtwerk
Jameln Cafe Grenzbereiche
Bremen Lagerhaus
Hannover Kommunales Kino
Freiburg Kommunales Kino
Zentrum Lübeck
Hamburg Störtebeker
The Flamethrowers