1984-01-010時間 35分
ユーザースコア
概要
Many of my films involve humour, but unlike the earlier work Shepherd’s Delight attempts to confront the problem of humour head-on, referring directly (since a large part of the film is composed of jokes and their analysis) to the viewer’s perception of the film itself. The film is largely concerned with how context determines the reading of information. Since the film’s statements oscillate between the deadly serious (concentrating particularly on an examination of the more sinister aspects of humour) and the totally bogus, with no clearly defined points of changeover, the context is often ambiguous. Hopefully, this strategy undermines both the authority of the ‘serious’ statements and any predictable effect of the ‘jokes’. John Smith, 1984
1952-01-01
Covid Messages
The Girl Chewing Gum
Fan
Jour de Fête
Dungeness
Who Are We?
Double Shutter
Soft Work
Home Suite
The Camera, The Actor
Leading Light
Slow Glass
Blight
Dark Light
Om
Dad's Stick
Gargantuan
Associations
The Black Tower
Cinema16: British Short Films
Hotel Diaries: Dirty Pictures
Lost Sound
The Waste Land
Worst Case Scenario
Shepherd’s Delight
Steve Hates Fish
Regression
Hackney Marshes – November 4th 1977
Hackney Marshes
Song For Europe
White Hole
The Hut
Being John Smith
A State of Grace
The Man Phoning Mum
Triangles
Someone Moving
Shine So Hard
Citadel
Twice
Hotel Diaries