1959-05-100時間 6分
ユーザースコア
概要
From a central pivotal position, the camera eye (in this case, the hard and inflexible eye of Minerva) looks out upon twelve passing scenes. None of the scenes are necessarily associated with specific signs of the Zodiac. Lawrence Jordan instead assembled twelve of his collages and passed them in review before the deity (who, as he has noted, never revealed her pleasure or displeasure with these images). The filmmaker underscored the mood of each scene with a short passage of music. One might say that theses scenes are not meant to convey particular meanings to a viewer but are intended to represent various entrances or, as the Egyptians called them, hidden or false doors to the siprit world, the world of the dead, the Underworld, the Bardo or, simply, another plan of reality: verities of the soul in Symbolist terms.
1934-01-01
Three
Minerva Looks Out into the Zodiac
Our Lady of the Sphere
The Ogre's Garden
Duo Concertantes
The Old House, Passing
Gymnopédies
Sophie's Place
Carabosse
Spectre Mystagogic
Masquerade
Orb
Enid's Idyll
Once Upon a Time
The Rime of the Ancient Mariner
Belle du Jour
Cosmic Alchemy
Trumpit
Man Is in Pain
Big Sur: The Ladies
Alchemy
Visions of a City
The Black Oud
Postcard from San Miguel
The Grove
Star of Day
Tapestry
Ein Traum der Liebenden
The Apoplectic Walrus
Beyond Enchantment
Solar Sight
Entr'Acte
Solar Sight II
Circus Savage
After the Circus
Solar Sight III
Johnnie
Finds of the Fortnight
Hymn in Praise of the Sun
The Season's Change
Night Light
Jewel Face
Silent Sonatas
The One Romantic Venture of Edward
Undertow
The Apparition
Ancestors
The Soccer Game
Entr'acte II
The forty and one nights
Hildur and the Magician
Time Travel
The Dream Merchant
Entr’acte III
For Life, Against the War
Reve d'Or
Delirium
The Apoplectic Walrus
Harper's Bazar
Oz
Three by Cornell
Hommage